Much enjoyment in these quarters of the fuss generated on Friday when Guardian literary editor Claire Armistead, talking about the longlist for the paper’s “First Book Prize”, called on publishers to invest more in the editing of their books.
Armistead tweeted that she had ‘discovered some wonderful books’ but added that she was ‘frustrated by the standard of editing’.
Hardly controversial, really. We find ourselves saying this all the time in the Prospect Reading Group, and I hear it routinely from authors. But it set off a big fuss, even making the national news magazine programmes. Which is probably a good thing, considering how little this subject is discussed outside specialist circles.
She stood by her comment, adding later: ‘There were an awful lot of incredibly talented and energetic writers, who were not being reined in the way you would expect, and that is the job of an editor. The editor’s job is to point out where they’re going off track… what I felt is that editors are not intervening.’
There is so much misunderstanding of what editing consists of, it’s hard to know where to start. Many complaints about falling publishing standards are really about proofreading, not editing as such; or about copy editing alone, and not developmental editing or or commissioning. And bad editing is taken to stand for the rest. But don’t get me started.
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